“All in all you’re just another brick in the wall…” If you grew up in the 80s The Wall was inescapable. First there was the 1979 double album and hit single, mostly conceptualised by Pink Floyd’s Roger Waters, then a tour featuring animatronics designed by artist Gerald Scarfe, who also produced the album artwork. The…
L’Aine Des Ferchaux
I must admit I had never heard of 1963 French film L’Aine Des Ferchaux (aka Magnet Of Doom) until this huge poster landed on my lap as part of a large lot I bought. The movie is (apparently) a neo-noir directed by renowned New Wave director Jean-Pierre Melville (Le Samourai and others) and based on…
Exorcist II : The Heretic
When it comes to discussing terrible sequels to great movies, Exorcist II is invariably at the front of the conversation. It’s a movie which manages to throw out just about everything which made the original so compelling. Linda Blair returns as a teenage Regan, and Max Von Sydow plays a young Father Merrin in a…
Mishima
I must admit I fell asleep in the cinema during Mishima, which is probably rather unfair on Paul Schrader’s movie. Maybe it was a long day, maybe I wasn’t in the mood for subtitles, but I did find it rather dull at the time (hence the snooze). Mishima is the bizarre true story of a…
Le Mans
I’m not sure if I’ve ever seen this iconic Steve McQueen movie. If I have, I remember nothing of it. McQueen was a renowned petrol-head, and having done many of his own driving stunts in Bullitt, having him star in a movie about the famous 24-hour race seems like a natural fit. For added realism,…
The Parallax View
The Parallax View is possibly the most paranoid of a small wave of paranoid thrillers from the 70s. Several of these (including Klute and All The President’s Men) were also directed by Alan J Pakula. Here, Warren Beatty stars as a crusading journalist who comes to realise that all witnesses a political assassination are steadily…
Psycho II
I recall Psycho II being a better movie than it had any right to be. Whilst the idea of making a sequel to arguably Hitchcock’s most famous movie might seem like sacrilege, Psycho II was more than the abject cash-in that might have been expected. I remember the shift from black and white to colour in…
The Final Conflict
The Final Conflict was the concluding chapter in The Omen trilogy (well, it was until someone had the bright idea to flog a dead horse with Omen IV…) I always found it a poor fit with the previous two movies, the basic premise being that the Devil’s son Damien is now a grown adult, intent…
Man Of 1000 Faces
Lon Chaney was one of the greats of silent cinema. A master of disguise, he would go to extreme (and – for him – extremely painful) lengths to transform himself into The Hunchback Of Notre Dame and The Phantom Of The Opera, amongst other horror movie icons. Still, he was perhaps an unusual subject for…
Scum
Scum remains one of the toughest and most disturbing watches of all British movies of the 70s. A harsh look at the brutal life inside borstals, it was originally planned for TV, but it got banned and was subsequently remade to be released in cinemas. I still remember the scene where a pre-fame Ray Winstone…